Serveur d'exploration Xenakis

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels

Identifieur interne : 000079 ( France/Analysis ); précédent : 000078; suivant : 000080

Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels

Auteurs : Moreno Andreatta [France]

Source :

RBID : Hal:tel-00004074

Descripteurs français

Abstract

The application of algebraic methods to music is a relatively new approach in musical research. We analyse the problem of the emergence of algebraic structures in music by looking at three main figures of Twentieth-Century theorists/composers: Milton Babbitt, Iannis Xenakis and Anatol Vieru. Some of their music-theoretic constructions are the starting point for a discussion on the notion of music theory in some analytical as well as compositional applications. This work discusses an algebraic formalisation of Set Theory and its transformational developments from a perspective which includes an analysis of the relationships between American tradition and a formalised European approach. The concepts elaborated in this work lead to a definition of the place of a computational approach in musicology and open several philosophical questions on the relationships between mathematics and music.

Url:


Affiliations:


Links toward previous steps (curation, corpus...)


Links to Exploration step

Hal:tel-00004074

Le document en format XML

<record>
<TEI>
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="fr">Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels</title>
<author>
<name sortKey="Andreatta, Moreno" sort="Andreatta, Moreno" uniqKey="Andreatta M" first="Moreno" last="Andreatta">Moreno Andreatta</name>
<affiliation wicri:level="1">
<hal:affiliation type="laboratory" xml:id="struct-1374" status="OLD">
<idno type="RNSR">198319352N</idno>
<orgName>Sciences et Technologies de la Musique et du Son</orgName>
<orgName type="acronym">STMS</orgName>
<desc>
<address>
<addrLine>1 Place Igor Stravinsky 75004 PARIS</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.ircam.fr/</ref>
</desc>
<listRelation>
<relation active="#struct-93591" type="direct"></relation>
<relation active="#struct-300476" type="direct"></relation>
<relation name="UMR9912" active="#struct-441569" type="direct"></relation>
</listRelation>
<tutelles>
<tutelle active="#struct-93591" type="direct">
<org type="institution" xml:id="struct-93591" status="OLD">
<orgName>Université Pierre et Marie Curie - Paris 6</orgName>
<orgName type="acronym">UPMC</orgName>
<date type="end">2017-12-31</date>
<desc>
<address>
<addrLine>4 place Jussieu - 75005 Paris</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.upmc.fr/</ref>
</desc>
</org>
</tutelle>
<tutelle active="#struct-300476" type="direct">
<org type="institution" xml:id="struct-300476" status="VALID">
<orgName>IRCAM</orgName>
<desc>
<address>
<country key="FR"></country>
</address>
</desc>
</org>
</tutelle>
<tutelle name="UMR9912" active="#struct-441569" type="direct">
<org type="institution" xml:id="struct-441569" status="VALID">
<idno type="ISNI">0000000122597504</idno>
<idno type="IdRef">02636817X</idno>
<orgName>Centre National de la Recherche Scientifique</orgName>
<orgName type="acronym">CNRS</orgName>
<date type="start">1939-10-19</date>
<desc>
<address>
<country key="FR"></country>
</address>
<ref type="url">http://www.cnrs.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
</affiliation>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">HAL</idno>
<idno type="RBID">Hal:tel-00004074</idno>
<idno type="halId">tel-00004074</idno>
<idno type="halUri">https://tel.archives-ouvertes.fr/tel-00004074</idno>
<idno type="url">https://tel.archives-ouvertes.fr/tel-00004074</idno>
<date when="2003-12-12">2003-12-12</date>
<idno type="wicri:Area/Hal/Corpus">000080</idno>
<idno type="wicri:Area/Hal/Curation">000080</idno>
<idno type="wicri:Area/Hal/Checkpoint">000082</idno>
<idno type="wicri:explorRef" wicri:stream="Hal" wicri:step="Checkpoint">000082</idno>
<idno type="wicri:Area/Main/Merge">000357</idno>
<idno type="wicri:Area/Main/Curation">000354</idno>
<idno type="wicri:Area/Main/Exploration">000354</idno>
<idno type="wicri:Area/France/Extraction">000079</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title xml:lang="fr">Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels</title>
<author>
<name sortKey="Andreatta, Moreno" sort="Andreatta, Moreno" uniqKey="Andreatta M" first="Moreno" last="Andreatta">Moreno Andreatta</name>
<affiliation wicri:level="1">
<hal:affiliation type="laboratory" xml:id="struct-1374" status="OLD">
<idno type="RNSR">198319352N</idno>
<orgName>Sciences et Technologies de la Musique et du Son</orgName>
<orgName type="acronym">STMS</orgName>
<desc>
<address>
<addrLine>1 Place Igor Stravinsky 75004 PARIS</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.ircam.fr/</ref>
</desc>
<listRelation>
<relation active="#struct-93591" type="direct"></relation>
<relation active="#struct-300476" type="direct"></relation>
<relation name="UMR9912" active="#struct-441569" type="direct"></relation>
</listRelation>
<tutelles>
<tutelle active="#struct-93591" type="direct">
<org type="institution" xml:id="struct-93591" status="OLD">
<orgName>Université Pierre et Marie Curie - Paris 6</orgName>
<orgName type="acronym">UPMC</orgName>
<date type="end">2017-12-31</date>
<desc>
<address>
<addrLine>4 place Jussieu - 75005 Paris</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.upmc.fr/</ref>
</desc>
</org>
</tutelle>
<tutelle active="#struct-300476" type="direct">
<org type="institution" xml:id="struct-300476" status="VALID">
<orgName>IRCAM</orgName>
<desc>
<address>
<country key="FR"></country>
</address>
</desc>
</org>
</tutelle>
<tutelle name="UMR9912" active="#struct-441569" type="direct">
<org type="institution" xml:id="struct-441569" status="VALID">
<idno type="ISNI">0000000122597504</idno>
<idno type="IdRef">02636817X</idno>
<orgName>Centre National de la Recherche Scientifique</orgName>
<orgName type="acronym">CNRS</orgName>
<date type="start">1939-10-19</date>
<desc>
<address>
<country key="FR"></country>
</address>
<ref type="url">http://www.cnrs.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
</affiliation>
</author>
</analytic>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="mix" xml:lang="fr">
<term>Set Theory</term>
<term>cognition</term>
<term>formalisation</term>
<term>musicologie computationnelle</term>
<term>outils d'analyse musicale</term>
<term>perception</term>
<term>philosophie</term>
<term>procédures compositionnelles</term>
<term>structures algébriques</term>
<term>théorie musicale</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">The application of algebraic methods to music is a relatively new approach in musical research. We analyse the problem of the emergence of algebraic structures in music by looking at three main figures of Twentieth-Century theorists/composers: Milton Babbitt, Iannis Xenakis and Anatol Vieru. Some of their music-theoretic constructions are the starting point for a discussion on the notion of music theory in some analytical as well as compositional applications. This work discusses an algebraic formalisation of Set Theory and its transformational developments from a perspective which includes an analysis of the relationships between American tradition and a formalised European approach. The concepts elaborated in this work lead to a definition of the place of a computational approach in musicology and open several philosophical questions on the relationships between mathematics and music.</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>France</li>
</country>
</list>
<tree>
<country name="France">
<noRegion>
<name sortKey="Andreatta, Moreno" sort="Andreatta, Moreno" uniqKey="Andreatta M" first="Moreno" last="Andreatta">Moreno Andreatta</name>
</noRegion>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/France/Analysis
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000079 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/France/Analysis/biblio.hfd -nk 000079 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    XenakisV1
   |flux=    France
   |étape=   Analysis
   |type=    RBID
   |clé=     Hal:tel-00004074
   |texte=   Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels
}}

Wicri

This area was generated with Dilib version V0.6.33.
Data generation: Thu Nov 8 16:12:13 2018. Site generation: Wed Mar 6 22:10:31 2024